Author: Chris Cutler
Highly microtonal (he uses a 768 division to the octave system), unusually delicate and structured, these linked pieces come as close as you can get to the aesthetic of early computer music, while still being highly contemporary.
This is a work also very much concerned with spatialisation (headphones or a double stereo layout - are recommended - but it works fine in stereo).
Careful, intricate and sensitive work. A rare thing today.
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